Daniele Isetta
www.equilibriarte.org/danieleisettaartist
member since November 13, 2005
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......DIVENTA QUELLO CHE SEI......
...IN GOD WE TRUST...
www.isettadaniele.com www.isettadaniele.com
Letter of introduction
This young artist lives and works to Varigotti, small laughing country Ligure.
Its work departs from informal premises inspired to Pollock but this it is not but the point of departure of which the artist will elaborate again one personal vision of his and the artistic expression, the color is very more materico and full-bodied, it becomes animated of forms and of intents where the "sign" it becomes evident "as action."
The fund where the dripping takes shape it has a particular formal importance that denotes as the artist both to the continuous search of a three-dimensional element, this is also noticed in the search of the support, that sets notable importance and that it articulates on more levels in a continuous discovery of new spatial interpretations.
Also the chromatic choice notices more and more growth and a clean separation from the inspiration of the informal classical, its palette it has a preference for the pure and bright colors that bring us to the atmospheres of the place in which alive, blue bright, solar yellows, almost primary colors, animated by violent contrasts and it is also between support and painting that the artist looks for the contrast and is really in this sense, that its continuous search of a three-dimensional space directs him expressed by the color, the artist ... bio
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artists
MARK ROTHKO, WILLEM DE KOONING, FERNANDEZ ARMAN, TRA I NAZIONALI : EMILIO VEDOVA, MARIO SCHIFANO, FRANCO ANGELI, ALDO MONDINO, AFRO BASADELLA, SALVATORE EMBLEMA, ALBERTO BURRI, EMILIO SCANAVINO
The criticism:
books and writers
IL QUARTIERE (PRATOLINI VASCO)
SCRITTI SCELTI (ERNESTO CHE GUEVARA)
films and directors
C'ERA UNA VOLTA IN AMERICA , QUEI BRAVI RAGAZZI..
NON BUSSARE ALLA MIA PORTA (WIM WENDERS)
LA MALA EDUCACION (ALMODOVAR)
TUTTO SU MIA MADRE
VOLVER
(ALMODOVAR)
comics
DYLAN DOG
CURRICULUM VITAE
Daniele Isetta nait a Finale Ligure le 23/04/1974.
Il est attiré, par la peinture et toute forme dart visif dès lenfance.
Il commence a peindre a six ans aidé par son père, peintre lui aussi.
A lécole primarie il commence tout de suite à dessiner par la main gauche, en effet Isetta affirmera toujours detre un gaucher manqué et en beaucoup de ses ouvres il employe soit la main droite soit la main gauche. Les maitresses décole, en voyant quelques de ses dessins très particuliers,des compositions déja abstraites à cet agè-là lorsque tous les autres enfants cherchaient à représenter la réalité, comprendent tout de suite, le grand talent de lenfant et laddressent à suivre des études artistiques.
Isetta ne fréquentera pas des écoles de dessin pour des nécessités de travail dans une petite province comme Savona.
Il prend la route du dessin technique pour avoir de plus grands ed immédiats debouchés professioneles parce quil est un orphelin de père à lage de 20 ans. A ce temps-là il entreprend chaque genre de travail.
En 1993 il prend le diplome à Finale Ligure de technicien des industries mécaniques avec la spécialisation en dessin industriel.
Toutefois sa plus grande passion reste seulement une: lart. En effet à lage de 22 il lit beaucoup de volumes d académie et il approfondit tout seul, son chemin pictural. Pour dix ans environ sa recherche est restée fixe sur le geste, sur le signe et sur la trace personels que chacun réussit à imprimer sour la toile. Enfin il sadresse à létude de la couleur, avec des texstes de Johannes Itten.
Dans cette période (années 90) il prend part à des différentes exspositions collectives dans son pays : Finale Ligure, Pietra Ligure avec un grand succès de public et de critique, mais latmosphère de province, ne lincite pas à participer à dautres expositions ou il ne se sent pas pret pour affronter le grand public et la grande critique ; il reste tout seul à etudiér lart e le peinture.
Il a une période dart figuratif, il fait des nus, des paysages et surtout des portraits, mais sa peinture se voisine à Ligabue, un peu naif, un peu expréssive. Il employe beaucoup la palette, la matiere et la peinture à lhuile surtout.
A lage de 28 il commence la peinture informelle par la palette avant et puis en utilisant la technique dripping, en cherchant de créer de nouvelles routes, parce que selon lui, il y a encore beaucoup à experimenter sur cette technique qui a été bientot abandonée.Le controle de la technique devient, de plus en plus grand.
Un signe tout de suite reconnaissable ; son signe particulier, violent, définitif.
Principaux événements
Des foires dArt avec la Galleria Carlolivi 115 de Prato( Italy)
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
New York
En février 2006 Exposition personelle au Palais de la Province à Savona.
Il a été un des finalistes au councours européen dart « Arteam Prize »
Il a partecipé à une exposition au Musée dart Moderne de Albissola Marina en avril .(Albissola Marina est la ville de la céramique et où Lucio Fontana avait latelier dans les années 1950-1960)
Il est en exposition permanente près de la Galeria dart Ghiglieri à Finale Ligure
www.danieleisetta.com www.isettadaniele.com www.isettadaniele.com
music
food
4 SALTI IN PADELLA FINDUS
Letter ofintroduction
This young artist lives and works to Varigotti, small laughing country Ligure.
Its work departs from informal premises inspired to Pollock but this it is not but the point of departure of which the artist will elaborate again one personal vision of his and the artistic expression, the color is very more materico and full-bodied, it becomes animated of forms and of intents where the "sign" it becomes evident "as action."
The fund where the dripping takes shape it has a particular formal importance that denotes as the artist both to the continuous search of a three-dimensional element, this is also noticed in the search of the support, that sets notable importance and that it articulates on more levels in a continuous discovery of new spatial interpretations.
Also the chromatic choice notices more and more growth and a clean separation from the inspiration of the informal classical, its palette it has a preference for the pure and bright colors that bring us to the atmospheres of the place in which alive, blue bright, solar yellows, almost primary colors, animated by violent contrasts and it is also between support and painting that the artist looks for the contrast and is really in this sense, that its continuous search of a three-dimensional space directs him expressed by the color, the artist is therefore in continuous evolution and growth, especially in the experimentation of new forms and in the search of new supports that you/they vary from the foam plates undulated epossidica to scabrous surfaces.
And' evident the clean separation more and more in the informal school for a search of development more personal and autonomous than it brings him/it to look for fit solutions to express his/her rich internal world.
Dott.ssa Maria Cristina Bianchi.
Teacher of History of the Art and custom near the Civic Institute Duchess of Galliera (Genoa)
Curriculum Vitae
Isetta Daniele is born to Final Ligure 23/04/1974
Attracted for to long time from the painting and from every form of visual art since the infancy it begins to paint to the six year-old age, helped by his/her/their father painter.
To the elementary schools it immediately begins to draw with the left hand, it awkwardly comes then unfortunately correct, in fact Isetta will always affirm to be to missed left-handed, and in to lot of his/her works it is usual to use both the right hand and the left hand.
The elementary teachers in to see burdens very particular sketches of his, of the already abstract compositions to that age when all try to represent the reality, they immediately understand the great talent of his/her/their child and they address him/it toward studies to artistic character.
But Isetta will never I give because for working necessity, in to small provinces as Savona, will take the road of the industrial technical sketch, to have increases immediate dark and professional results, considering that he/she is orphan of father to the 20 year-olds age him from it gives to I give and it develops any type of job.
In 1993 he/shes graduates him to Technical Final Ligure of the Mechanical Industries with the specialization in industrial sketch. But its greatest passion only stays one: The art in fact to the 22 year-olds age he/she reads many volumes of academy and it deepens therefore in solitary way his/her pictorial walk.
For about one decays its search is focused on the gesture, on the sign, on the personal trace that each of us succeeds in engraving on the cloth.
Then move him on the study of the color, with texts of Johannes Itten.
In this period (years '90) it participates in numerous collective shows in his/her zones of residence: Final Ligure, Stone Ligure, with great success of the public and the criticism; but the provincial atmosphere, doesn't stimulate him/it to participate in further exposures or him it doesn't feel ready yet for the great public and the great criticism I know it is apart to study.
It has to figurative period, naked landscapes and above all human faces in the foreground, its painting draws near to lot to Ligabue, burdens naif burdens expressive.
It uses to lot the technique of the spatula, the subject, painting to oil mainly.
To the 28 year-olds age it begins to paint informal with the spatula before and later using the technique of the dripping, trying to created new roads, because according to him there is to lot still to experiment with this technique that has been abandoned too soon.
The control of the technique with to spend burdens years becomes greater.
To recognizable sign immediately, his, particular, violent, definitive.
Principal Events:
In fair and in permanence with the Gallery Carlolivi115 of Lawn
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
February 2006, personal show to the Building Of the Provinces in Savona.
Finalist to the European contest of art "Arteam Prize."
April 2006, exposure to the Civic Museum of Modern Art of Albissola Marina.
In permanence near the Gallery of art Ghiglieri Finale Ligure (Sv)
www.danieleisetta.com www.danieleisetta.com www.danieleisetta.com
Curriculum Vitae
Isetta Daniele is born to Final Ligure 23/04/1974
Attracted for to long time from the painting and from every form of visual art since the infancy it begins to paint to the six year-old age, helped by his/her/their father painter.
To the elementary schools it immediately begins to draw with the left hand, it awkwardly comes then unfortunately correct, in fact Isetta will always affirm to be to missed left-handed, and in to lot of his/her works it is usual to use both the right hand and the left hand.
The elementary teachers in to see burdens very particular sketches of his, of the already abstract compositions to that age when all try to represent the reality, they immediately understand the great talent of his/her/their child and they address him/it toward studies to artistic character.
But Isetta will never I give because for working necessity, in to small provinces as Savona, will take the road of the industrial technical sketch, to have increases immediate dark and professional results, considering that he/she is orphan of father to the 20 year-olds age him from it gives to I give and it develops any type of job.
In 1993 he/shes graduates him to Technical Final Ligure of the Mechanical Industries with the specialization in industrial sketch. But its greatest passion only stays one: The art in fact to the 22 year-olds age he/she reads many volumes of academy and it deepens therefore in solitary way his/her pictorial walk.
For about one decays its search is focused on the gesture, on the sign, on the personal trace that each of us succeeds in engraving on the cloth.
Then move him on the study of the color, with texts of Johannes Itten.
In this period (years '90) it participates in numerous collective shows in his/her zones of residence: Final Ligure, Stone Ligure, with great success of the public and the criticism; but the provincial atmosphere, doesn't stimulate him/it to participate in further exposures or him it doesn't feel ready yet for the great public and the great criticism I know it is apart to study.
It has to figurative period, naked landscapes and above all human faces in the foreground, its painting draws near to lot to Ligabue, burdens naif burdens expressive.
It uses to lot the technique of the spatula, the subject, painting to oil mainly.
To the 28 year-olds age it begins to paint informal with the spatula before and later using the technique of the dripping, trying to created new roads, because according to him there is to lot still to experiment with this technique that has been abandoned too soon.
The control of the technique with to spend burdens years becomes greater.
To recognizable sign immediately, his, particular, violent, definitive.
Principal Events:
In fair and in permanence with the Gallery Carlolivi115 of Lawn
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
February 2006, personal show to the Building Of the Provinces in Savona.
Finalist to the European contest of art "Arteam Prize."
April 2006, exposure to the Civic Museum of Modern Art of Albissola Marina.
In permanence near the Gallery of art Merighi of Varazze (Sv)
It participates in all the televendites of the Gallery Merighi on Sky channel 833, Sunday from the 22,30 to the 1.00 and the drawer television Telenord, Sunday from the 10,30 at 13,00 o'clocks.
In permanence near the Gallery of art Ghiglieri Finale Ligure (Sv)
www.danieleisetta.com www.danieleisetta.com www.danieleisetta.com
MARK ROTHKO, WILLEM DE KOONING, FERNANDEZ ARMAN, TRA I NAZIONALI : EMILIO VEDOVA, MARIO SCHIFANO, FRANCO ANGELI, ALDO MONDINO, AFRO BASADELLA, SALVATORE EMBLEMA, ALBERTO BURRI, EMILIO SCANAVINO
The criticism:
books and writers
IL QUARTIERE (PRATOLINI VASCO)
SCRITTI SCELTI (ERNESTO CHE GUEVARA)
films and directors
C'ERA UNA VOLTA IN AMERICA , QUEI BRAVI RAGAZZI..
NON BUSSARE ALLA MIA PORTA (WIM WENDERS)
LA MALA EDUCACION (ALMODOVAR)
TUTTO SU MIA MADRE
VOLVER
(ALMODOVAR)
comics
DYLAN DOG
CURRICULUM VITAE
Daniele Isetta nait a Finale Ligure le 23/04/1974.
Il est attiré, par la peinture et toute forme dart visif dès lenfance.
Il commence a peindre a six ans aidé par son père, peintre lui aussi.
A lécole primarie il commence tout de suite à dessiner par la main gauche, en effet Isetta affirmera toujours detre un gaucher manqué et en beaucoup de ses ouvres il employe soit la main droite soit la main gauche. Les maitresses décole, en voyant quelques de ses dessins très particuliers,des compositions déja abstraites à cet agè-là lorsque tous les autres enfants cherchaient à représenter la réalité, comprendent tout de suite, le grand talent de lenfant et laddressent à suivre des études artistiques.
Isetta ne fréquentera pas des écoles de dessin pour des nécessités de travail dans une petite province comme Savona.
Il prend la route du dessin technique pour avoir de plus grands ed immédiats debouchés professioneles parce quil est un orphelin de père à lage de 20 ans. A ce temps-là il entreprend chaque genre de travail.
En 1993 il prend le diplome à Finale Ligure de technicien des industries mécaniques avec la spécialisation en dessin industriel.
Toutefois sa plus grande passion reste seulement une: lart. En effet à lage de 22 il lit beaucoup de volumes d académie et il approfondit tout seul, son chemin pictural. Pour dix ans environ sa recherche est restée fixe sur le geste, sur le signe et sur la trace personels que chacun réussit à imprimer sour la toile. Enfin il sadresse à létude de la couleur, avec des texstes de Johannes Itten.
Dans cette période (années 90) il prend part à des différentes exspositions collectives dans son pays : Finale Ligure, Pietra Ligure avec un grand succès de public et de critique, mais latmosphère de province, ne lincite pas à participer à dautres expositions ou il ne se sent pas pret pour affronter le grand public et la grande critique ; il reste tout seul à etudiér lart e le peinture.
Il a une période dart figuratif, il fait des nus, des paysages et surtout des portraits, mais sa peinture se voisine à Ligabue, un peu naif, un peu expréssive. Il employe beaucoup la palette, la matiere et la peinture à lhuile surtout.
A lage de 28 il commence la peinture informelle par la palette avant et puis en utilisant la technique dripping, en cherchant de créer de nouvelles routes, parce que selon lui, il y a encore beaucoup à experimenter sur cette technique qui a été bientot abandonée.Le controle de la technique devient, de plus en plus grand.
Un signe tout de suite reconnaissable ; son signe particulier, violent, définitif.
Principaux événements
Des foires dArt avec la Galleria Carlolivi 115 de Prato( Italy)
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
New York
En février 2006 Exposition personelle au Palais de la Province à Savona.
Il a été un des finalistes au councours européen dart « Arteam Prize »
Il a partecipé à une exposition au Musée dart Moderne de Albissola Marina en avril .(Albissola Marina est la ville de la céramique et où Lucio Fontana avait latelier dans les années 1950-1960)
Il est en exposition permanente près de la Galeria dart Ghiglieri à Finale Ligure
www.danieleisetta.com www.isettadaniele.com www.isettadaniele.com
music
food
4 SALTI IN PADELLA FINDUS
Letter ofintroduction
This young artist lives and works to Varigotti, small laughing country Ligure.
Its work departs from informal premises inspired to Pollock but this it is not but the point of departure of which the artist will elaborate again one personal vision of his and the artistic expression, the color is very more materico and full-bodied, it becomes animated of forms and of intents where the "sign" it becomes evident "as action."
The fund where the dripping takes shape it has a particular formal importance that denotes as the artist both to the continuous search of a three-dimensional element, this is also noticed in the search of the support, that sets notable importance and that it articulates on more levels in a continuous discovery of new spatial interpretations.
Also the chromatic choice notices more and more growth and a clean separation from the inspiration of the informal classical, its palette it has a preference for the pure and bright colors that bring us to the atmospheres of the place in which alive, blue bright, solar yellows, almost primary colors, animated by violent contrasts and it is also between support and painting that the artist looks for the contrast and is really in this sense, that its continuous search of a three-dimensional space directs him expressed by the color, the artist is therefore in continuous evolution and growth, especially in the experimentation of new forms and in the search of new supports that you/they vary from the foam plates undulated epossidica to scabrous surfaces.
And' evident the clean separation more and more in the informal school for a search of development more personal and autonomous than it brings him/it to look for fit solutions to express his/her rich internal world.
Dott.ssa Maria Cristina Bianchi.
Teacher of History of the Art and custom near the Civic Institute Duchess of Galliera (Genoa)
Curriculum Vitae
Isetta Daniele is born to Final Ligure 23/04/1974
Attracted for to long time from the painting and from every form of visual art since the infancy it begins to paint to the six year-old age, helped by his/her/their father painter.
To the elementary schools it immediately begins to draw with the left hand, it awkwardly comes then unfortunately correct, in fact Isetta will always affirm to be to missed left-handed, and in to lot of his/her works it is usual to use both the right hand and the left hand.
The elementary teachers in to see burdens very particular sketches of his, of the already abstract compositions to that age when all try to represent the reality, they immediately understand the great talent of his/her/their child and they address him/it toward studies to artistic character.
But Isetta will never I give because for working necessity, in to small provinces as Savona, will take the road of the industrial technical sketch, to have increases immediate dark and professional results, considering that he/she is orphan of father to the 20 year-olds age him from it gives to I give and it develops any type of job.
In 1993 he/shes graduates him to Technical Final Ligure of the Mechanical Industries with the specialization in industrial sketch. But its greatest passion only stays one: The art in fact to the 22 year-olds age he/she reads many volumes of academy and it deepens therefore in solitary way his/her pictorial walk.
For about one decays its search is focused on the gesture, on the sign, on the personal trace that each of us succeeds in engraving on the cloth.
Then move him on the study of the color, with texts of Johannes Itten.
In this period (years '90) it participates in numerous collective shows in his/her zones of residence: Final Ligure, Stone Ligure, with great success of the public and the criticism; but the provincial atmosphere, doesn't stimulate him/it to participate in further exposures or him it doesn't feel ready yet for the great public and the great criticism I know it is apart to study.
It has to figurative period, naked landscapes and above all human faces in the foreground, its painting draws near to lot to Ligabue, burdens naif burdens expressive.
It uses to lot the technique of the spatula, the subject, painting to oil mainly.
To the 28 year-olds age it begins to paint informal with the spatula before and later using the technique of the dripping, trying to created new roads, because according to him there is to lot still to experiment with this technique that has been abandoned too soon.
The control of the technique with to spend burdens years becomes greater.
To recognizable sign immediately, his, particular, violent, definitive.
Principal Events:
In fair and in permanence with the Gallery Carlolivi115 of Lawn
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
February 2006, personal show to the Building Of the Provinces in Savona.
Finalist to the European contest of art "Arteam Prize."
April 2006, exposure to the Civic Museum of Modern Art of Albissola Marina.
In permanence near the Gallery of art Ghiglieri Finale Ligure (Sv)
www.danieleisetta.com www.danieleisetta.com www.danieleisetta.com
Curriculum Vitae
Isetta Daniele is born to Final Ligure 23/04/1974
Attracted for to long time from the painting and from every form of visual art since the infancy it begins to paint to the six year-old age, helped by his/her/their father painter.
To the elementary schools it immediately begins to draw with the left hand, it awkwardly comes then unfortunately correct, in fact Isetta will always affirm to be to missed left-handed, and in to lot of his/her works it is usual to use both the right hand and the left hand.
The elementary teachers in to see burdens very particular sketches of his, of the already abstract compositions to that age when all try to represent the reality, they immediately understand the great talent of his/her/their child and they address him/it toward studies to artistic character.
But Isetta will never I give because for working necessity, in to small provinces as Savona, will take the road of the industrial technical sketch, to have increases immediate dark and professional results, considering that he/she is orphan of father to the 20 year-olds age him from it gives to I give and it develops any type of job.
In 1993 he/shes graduates him to Technical Final Ligure of the Mechanical Industries with the specialization in industrial sketch. But its greatest passion only stays one: The art in fact to the 22 year-olds age he/she reads many volumes of academy and it deepens therefore in solitary way his/her pictorial walk.
For about one decays its search is focused on the gesture, on the sign, on the personal trace that each of us succeeds in engraving on the cloth.
Then move him on the study of the color, with texts of Johannes Itten.
In this period (years '90) it participates in numerous collective shows in his/her zones of residence: Final Ligure, Stone Ligure, with great success of the public and the criticism; but the provincial atmosphere, doesn't stimulate him/it to participate in further exposures or him it doesn't feel ready yet for the great public and the great criticism I know it is apart to study.
It has to figurative period, naked landscapes and above all human faces in the foreground, its painting draws near to lot to Ligabue, burdens naif burdens expressive.
It uses to lot the technique of the spatula, the subject, painting to oil mainly.
To the 28 year-olds age it begins to paint informal with the spatula before and later using the technique of the dripping, trying to created new roads, because according to him there is to lot still to experiment with this technique that has been abandoned too soon.
The control of the technique with to spend burdens years becomes greater.
To recognizable sign immediately, his, particular, violent, definitive.
Principal Events:
In fair and in permanence with the Gallery Carlolivi115 of Lawn
Innsbruck, Parma, Vicenza, Bergamo, Tokyo.
February 2006, personal show to the Building Of the Provinces in Savona.
Finalist to the European contest of art "Arteam Prize."
April 2006, exposure to the Civic Museum of Modern Art of Albissola Marina.
In permanence near the Gallery of art Merighi of Varazze (Sv)
It participates in all the televendites of the Gallery Merighi on Sky channel 833, Sunday from the 22,30 to the 1.00 and the drawer television Telenord, Sunday from the 10,30 at 13,00 o'clocks.
In permanence near the Gallery of art Ghiglieri Finale Ligure (Sv)
www.danieleisetta.com www.danieleisetta.com www.danieleisetta.com
comments
Maria Grazia Todaro 06/23/2008 05:29 PM
ciao a te :-)))
